Visiting Brückenmusik: Sounds from the Cave
Vica Pacheco created a sonorous biosphere of instrument-machines inside of the Deutzer Brücke. Verena Hahn went inside and met the Brückenmusik artist for an interview.
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A snapshot into festivals, clubs & networks in electronic music through The Independent Movement for Electronic Scenes (TIMES)
Festivals, and especially clubs, are in a tricky situation in recent years, and 2024 is arguably the most challenging year after COVID and since the start of the war against Ukraine. Obvious reasons are inflation and less money in the pocket of festival goers/clubbers, less obvious ones include the...
„It’s a tropical landscape played from broken speakers.“
SSRI is a Łódź based experimental duo of Sandra Mikołajczyk and Igor Gadomski. At the brink of the emerging summer tropical heatwave, we spoke online about urban illness, the collaboration with Pointless Geometry, the preparation of the album, and Łódź’s thriving musical scene.
The Final Transcript: Tina Frank
Since the 1990s Tina Frank has been collaborating with musicians like Chicks on Speed, Peter Rehberg, Florian Hecker, Сон or General Magic to create audio-visual performances and installations presented all around the world.
“I Had My Memory Travelling” – In Conversation With Abadir
Chat with Egypt born, Berlin based producer, composer, dj, and music journalist Rami Abadir.
Najib Ben* Belgacem: „Különböző kultúrák terméke vagyok”
Interjú Najib Ben* Belgacem alias Baba Ben, dj, promóter és olívaolaj-termelővel.
The Muscut and Shukai sounds of lost futures
With hauntology as a leitmotif, Dmytro Nikolaienko from Muscut and co-founder of Shukai unveils the relationship between art, politics, nostalgia and a future steeped in echoes of the past.
AudioTag: Challanging Shazam’s fingerprinting
Interview with Alex Radzishevsky, the creator of AudioTag.info for automated track ID detection. The Ukraine-born, Haifa-based Israeli sound engineer is the author of patented audio algorithms for music “fingerprinting”–the underlying approach behind services like Shazam–and other applications.
The Final Transcript: Manos Saklas (OTOLITHS IN FLUX)
The Final Transcript is an interview series delving into the non-musical work of individuals and institutions within the experimental electronic music scene. Key contributors who are infrequently featured in interviews.
On the art of web radio making: Software, music, and more
MMN Mag talked to Charles Carey, co-founder of Radio Cult, a streaming platform designed for online community radios.
“Concepts of care, conviviality, and embodiment” – An interview with ssolve
The release of ssolve’s recent debut marks his transition from up-and-comer in the cookie cutter mill of the German rap industry, to a genre-less experimental producer pouring everything, from gqom riddims to guttural black metal screams, into his unpredictable and expansive music.
“It Is To Demonstrate Whom My Loyalty Is To – I Work With The Artists”
Friendly Fire Licensing is a sync licensing company based in Los Angeles. they represent a wide catalogue of music for inclusion in tv shows, movies, commercials, and video games, including labels like Chemical Underground, Cherry Red, Kompakt, Kranky, Rune Grammofon and Sinnbus, but also a worldwide roster of acts. Thomas...
AS LOUD AS POSSIBLE
In noise music, extreme volume is an effective means of involving listeners with their entire bodies. Pedro A. Ramírez examines how musicians use volume artistically and what role the sound carrier plays in this process. Ramírez uses personal experiences, interviews and theoretical approaches.
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